Drawing from centuries-old traditions yet imbued with a contemporary spirit, their collaboration promises to transport you to realms of profound musical bliss. Join us for an evening of sublime harmony and poetic expression, as we celebrate the timeless beauty of Indian classical music in a mesme...

Drawing from centuries-old traditions yet imbued with a contemporary spirit, their collaboration promises to transport you to realms of profound musical bliss. Join us for an evening of sublime harmony and poetic expression, as we celebrate the timeless beauty of Indian classical music in a mesme...

Drawing from centuries-old traditions yet imbued with a contemporary spirit, their collaboration promises to transport you to realms of profound musical bliss. Join us for an evening of sublime harmony and poetic expression, as we celebrate the timeless beauty of Indian classical music in a mesme...

Abhisek Lahiri is a gharana-blending young sarod player, who fuses ideas from the Shahjahanpur, Maihar, and Senia Bangash traditions. Early training under his father Pandit Alok Lahiri has led to a successful career, including global tours, participation in Indian cultural delegations, and contem...

Abhisek Lahiri is a gharana-blending young sarod player, who fuses ideas from the Shahjahanpur, Maihar, and Senia Bangash traditions. Early training under his father Pandit Alok Lahiri has led to a successful career, including global tours, participation in Indian cultural delegations, and contem...

Abhisek Lahiri is a gharana-blending young sarod player, who fuses ideas from the Shahjahanpur, Maihar, and Senia Bangash traditions. Early training under his father Pandit Alok Lahiri has led to a successful career, including global tours, participation in Indian cultural delegations, and contem...

Chowdhury is one of India’s finest and mature sarod maestro making her UK debut. Indulge in the deep lilting and sound that pull on your heart strings. Chowdhury explores the depth of ragas as trained and gifted by her teachers Siddhartha Roy Chowdhury, Pandit Ajay Sinha Roy and Prof. Sanjoy Ba...

Chowdhury is one of India’s finest and mature sarod maestro making her UK debut. Indulge in the deep lilting and sound that pull on your heart strings. Chowdhury explores the depth of ragas as trained and gifted by her teachers Siddhartha Roy Chowdhury, Pandit Ajay Sinha Roy and Prof. Sanjoy Ba...

Chowdhury is one of India’s finest and mature sarod maestro making her UK debut. Indulge in the deep lilting and sound that pull on your heart strings. Chowdhury explores the depth of ragas as trained and gifted by her teachers Siddhartha Roy Chowdhury, Pandit Ajay Sinha Roy and Prof. Sanjoy Ban...

The supremely accomplished Kaushiki Chakraborty, from the Patiala gharana (school of music) provides a mesmerising finale to the Darbar Festival at the Barbican Centre with her opulent, inventive style. She is joined on stage by Shahbaz Hussain and Milind Kulkarni as she performs rarely sung midn...

Arshad Khan is an accomplished musician known for his mastery of the esraj, a traditional Indian string instrument. The esraj is a bowed instrument with sympathetic strings, creating a unique and melodious sound. Arshad Khan comes from a musical lineage, as he is the son of Ustad Allauddin Khan, ...

Ken Zuckerma performs Raga Rathipathi at the Darbar Festival 2021.

Musicians:
Tabla - Surdarshan Singh

Ken Zuckerma performs Raga Gorakh Kalyan at the Darbar Festival 2021.

Musicians:
Tabla - Surdarshan Singh

Ken Zuckerma performs Raag Kaushi Kanara at the Darbar Festival 2021.

Musicians:
Tabla - Surdarshan Singh

The northern-most state of Jammu which is the native region of Pandit Shivkumar Sharma, has one of the richest folk cultures in India. Jammu is a colourful platter of music, art, crafts and agriculture that constitute the main livelihood of its people.

Raag Pahadi is based on the folk melodies o...

Introducing Raag Puriya Kalyan with a sparkling alap, Pandit Shivkumar Sharma builds the evening raga bridging the lower and middle octaves with the lower Ni and anchoring on Pa, its dominant note. Raag Puriya Kalyan is performed during the time of ‘deep-jyoti’. ‘Deep’ means earthen lamp and ‘jyo...

Raag Kaushik Dhwani was previously known as Bhinna Shadaj. ‘Bhinna’ means differentiated and ‘Shadaj’ means the first note or Sa. Pandit Shivkumar Sharma performs a lighter piece based on this raga. He bases the main melodic lines on Kaushik Dhwani and introduces an element of surprise in almost ...

Shot in an opulent heritage palace in Bawali located about 35 kilometres outside the periphery of Kolkata, this video seeks to bring the intimate ambience of a ‘baithak’ - a private soiree – to audiences. Till the earlier part of the 20th century, Indian classical music was a key element that con...

Recorded live against the stunning, rugged landscape of Mulshi, Maharashtra, we present to you one of the most melodious voices that has emerged from the Dharwad-Belgaon belt of western coastal India – Ramakant Gaikwad. In this video, Gaikwad brings the delightful blend of Kirana gharana fused wi...

Pandit Vishwa Mohan Bhatt gives a soulful rendition of a this evening raag, Gawati, in this excerpt from the Darbar festival 2007. Pandit Yogesh Samsi gives a majestic accompaniment on the tabla in this recital.

Pandit Bhatt begins with an expansive alap and jod, exploring every part of the raga...

Darbari Kanada is an extremely popular raga belonging to the cluster of Kanadas. Its origin is popularly attributed to Miyan Tansen, one of the ‘nine jewels’ of Mogul Emperor Akbar’s court. Its Persian name, referring to ‘darbar’ or royal court, bears the stamp. However, it is believed to be an a...

Known as a torch-bearer of a strong lineage, Sadolikar’s Savani Nat comes as a welcome opening to the concert that is typical of the Jaipur-Atrauli gharana. Specialising in ‘hybrid’ ragas of pentatonic structure, Savani Nat is a branch-out of the family of ‘Nats’. Basic ragas like Bhairav, Kedar,...

Begum Parveen Sultana’s rendition of Raag Maru Bihag is soothing, colourful and a celebration of the possibilities of the raga outside the ordinary. She opens her recital at the Darbar festival 2007 with this piece, introducing the raga with a brief alaap.

The expansion of the raga is done in de...

Abhisek Lahiri concludes his performance at the Darbar Festival 2011 with the sweet raga, Chayanat. His exposition of the melody is serene as well as a welcome choice after a majestic Shree which precedes this piece.

Lahiri performs a gat (composition) in medium tempo in Rupak taal (7 beats) in ...